Self-Publishing 101: Step 3—Manuscript Preparation

This article is part 4 of 5 in the series Self-Publishing 101

Self-publishing 101: How to Self-Publish a Book or Ebook

So far in our Self-Publishing 101 series we’ve hit upon the all-important topics of revision and editing. Let’s assume now that you’re satisfied with your manuscript and you’re ready to prepare it for the world to see. You might be asking yourself, “How do I publish my manuscript?”

Preparing Your Manuscript

There are several questions you need to stop and ask yourself at this point. You may need to take some time to educate yourself first before you even know what the right questions are. Here are a few I think you should consider:

  • Do you want to self-publish in both ebook and physical book formats?
  • Where do you want to distribute your book? Amazon only? On the Nook? Apple’s iBookstore? SmashWords? CreateSpace? Kobo? Diesel? Local bookstores? Where and how you distribute will have bearing on your manuscript preparation.
  • Do you want to sell Kindle, ePub, and PDF versions of the book from your own website?
  • Do you know how to properly prepare the manuscript yourself? If not, can you learn how, or are you willing to invest the money to hire someone to do it for you? Keep in mind that preparing the manuscript for the ebook version is much different than laying it out for print.
  • Have you thought about your metadata? How are people going to find your book?
  • Have you had a cover designed? Does it look professional?
  • Have you written an enticing book blurb? Back cover copy? An “about the author” page?

Overwhelmed Yet?

There’s a lot to think about, but don’t despair. We’ll talk through many of these issues as the series progresses, especially as we move into Self-Publishing 201 territory. Let’s take a few moments and address some of these concerns.

I’ll talk more about distribution options in the next post, so for now let’s focus on some general rules for preparing your manuscript for any distribution method. This preparation will get your manuscript ready to convert to an ebook for ereaders or to lay out as a PDF or printed book, whether you do the conversion yourself or hire a professional.

  1. Fonts: Gone are the days when it’s necessary to worry about manuscript formatting that calls for Courier at 12-point size with double-spaced lines, but that doesn’t mean you can go crazy and make silly choices with your fonts. In general, stick with Times New Roman or another clean serif font at 11 or 12-point size, and always write in black unless you’re specifically preparing your book for color tablets. Depending on the device, the reader will have control over the font face and size of the text. You don’t want to do anything that will end up frustrating your reader and make them give up on your book. Additional text elements like bold, italics, and underlining, are safe, but stay away from strange characters such as symbols and dingbats unless they’re absolutely critical to your manuscript. Many of those special characters have to be converted into images to display universally across all ereader devices.
  2. Tabs: Don’t use the tab key or spacebar to create paragraph indents in your manuscript. Learn how to properly set up automatic first-line indents in your word processor of choice.
  3. Line-Spacing: As you’re writing your manuscript, you might be using extra-wide line-spacing. I personally do this during the writing and revision process because it makes the manuscript much easier to edit. However, once you’re ready to output a final manuscript, make sure you change the line-spacing to something close to 1.2 or so.
  4. Double-Spacing: Old-school typing rules required us to double-space after periods and colons and other punctuation. This was because typewriters used fixed-width type faces, but this is no longer necessary with modern computers and typesetting. In fact, double-spacing looks odd within an ebook or a properly formatted print book. So make sure you use only one space following punctuation. Also make sure you don’t double space between paragraphs. A single return at the end of each paragraph is all that is needed. Additional spacing after each paragraph can be added globally later if necessary.
  5. Page Breaks: You will want to force page breaks at the beginning of each chapter. This not only helps with the visual layout of your book for both ebook and print versions, but it is also important when generating the Table of Contents page for the ebook.
  6. Text Justification: Unless you use a special layout for something like poetry, keep your text left-aligned and don’t use full text justification. You may think full justification makes your manuscript look cleaner, but it’s actually harder to read than text that is left ragged on the right hand side. Text justification can also create some very odd and hard-to-read word spacing within the body of your manuscript. Leave text justification alone until it’s time to create a print version of your book, then consider hiring a professional create your book’s layout.
  7. Images: If you’re using images in your book, make sure you have the proper permissions to do so. You must secure permission from the copyright holder; simply crediting the source of a copyrighted image in your book is insufficient. Also make sure to compress your images properly. Using high resolution images that are simply shrunk down (leaving the file size larger than necessary) or using images that are too low resolution are both problems. You need to find a balance between good resolution and small file size.
  8. Front and Back Matter: Don’t stop working on your manuscript until you’ve added front and back matter to your manuscript. Typical pages found within the front matter include the following: title page, copyright page, half title page, dedications, acknowledgements, forewords, other books by this author, and prefaces. Back matter often includes an about the author page, appendixes, bibliographies, indexes, glossaries, and colophons. What you choose to include is up to you, but make sure you’ve thought it all out ahead of time.

That’s a good list to get you started. What questions do you have about manuscript preparation that I haven’t covered? Please let me know in the comments.

In the next post, we’ll discuss distribution options for self-publishers.

Self-Publishing 101: Step 2—Editing

This article is part 3 of 5 in the series Self-Publishing 101

Self-publishing 101: How to Self-Publish a Book or Ebook

We’re continuing our look at the ins and outs of self-publishing. Last time we looked at the art of revision, so now we’ll move on to one of the most crucial steps in the writing process—editing.

What’s the Difference?

I can hear you thinking to yourself, “I’ve already edited my book. I did all the stuff you talked about last time during the revision process.” That’s all well and good, but much of what you did during revision needs to be done again at a higher level, the editing level.

As the author, you’re too close to the manuscript. You may see the big picture well enough, but little things slip through the cracks. Another set of eyes can help find and point out those problems.

There are several issues you need to consider during the editing process:

  • How much can I budget for the editing process?
  • How long am I willing to take for the editing process?
  • Am I willing to potentially cut or rewrite large sections of my manuscript?
  • Can I take the constructive criticism of others without getting offended?
  • Am I sure my manuscript is ready to be read by others?

There are also several ways to go about the editing process:

  • Hire a professional copy editor. A copy editor will go through your manuscript line by line and look for grammar and punctuation errors, as well as sentences that could be tightened up or rewritten to make better sense. A copy editor will not necessarily help you with the story itself. Copy editors usually charge by the word.
  • Hire a professional manuscript editor. A manuscript editor does everything a copy editor would do and then some. A quality manuscript editor will help you with your story itself, looking for weaknesses in your writing (passive voice, head jumping, plot holes), and help you craft a better final product.
  • Get people you trust to read your book. Conventional wisdom says to avoid close friends and family members. People who are close to you may have a hard time giving you the sort criticism you need to hear, which leads to what I call American Idol Syndrome. This is where our loved ones don’t have the heart to tell us how awful we are, which leads us to believe we’re awesome. Give people permission to rip your manuscript to shreds—in fact, encourage them to do so. Though painful, your manuscript will be better as a result.
  • Find beta readers. There are many sources for beta readers. I found many of my best beta readers by asking for them on Facebook. Old college friends, former co-workers, people from the neighborhood, acquaintances you hardly know—all of these are potential beta readers. They are also potential disasters, so choose beta readers judiciously.
  • Join a local or online writers’ critique group. While this might be an excellent option for some, it may or may not work for you since group members are often required to critique other writers’ works as well. You may not be willing to spend the time necessary to edit someone else’s work, or you may not have the time available.
  • Post snippets of your work to a writer’s’ critique forum. This has limited returns for several reasons. Depending on the forum, the quality of feedback can vary widely. I experienced this recently when I posted a snippet of a chapter on a forum for feedback. The only person who offered me any feedback honestly didn’t know what he was talking about, even though he was an aspiring author himself. In addition, like critique groups, the downside to this option is that most forums ask that you offer at least as many critiques as you receive, sometimes more.

There are other ways you can get more eyes on your manuscript. Be creative in your search and don’t be afraid to ask for help. But here’s word of caution: don’t fall into the trap of believing that the more people you have reading and offering feedback the better. My own opinion is that you shouldn’t have more than a handful of readers critiquing your manuscript at any given time. The amount of feedback can become overwhelming, not to mention the fact that your readers will often have conflicting opinions. You’ll need to give yourself time and space to sort things out.

Above all, remember that the manuscript is your manuscript. No one can force you to change a single word, nor should you feel obligated to make changes. Take the criticism you asked for and use it constructively, realizing that not every piece of advice is worth implementing. What’s important is that you’re open to what your critics have to tell you.

In the next post, I’ll discuss how to begin preparing your manuscript for distribution.